Belated Merry New Year (as the old joke goes). Here is to wishing you all a wonderful relationally joyful 2026! Welcome to the fourth blog post (first post in 2026) in the series: NWO Vidi grant application journey (#NWOVidi2025diaries). For ease of reference, you can check out the first blog post, second blog post here … Continue reading “I came, but can I see?” IV: Cleared for take-off… (#NWOVidi2025diaries)
Welcome to the third blog post in the series: NWO Vidi grant application journey (#NWOVidi2025diaries). You can check out the first blog post here and the second blog post here. In the second blog post I mentioned that I had to do a "revise and resubmit" after the first administrative checks of my submission. In … Continue reading “I came, but can I see?” III: Under review (#NWOVidi2025diaries)
It is with such great excitement that I announce the premiere screening of my documentary film - 'The Embodied Absence of the Past: Tourism's intersection with slavery and colonial heritage memories in the Ghana-Suriname-Netherlands triangle'. The premiere will be one of the main highlights during 'The Calabash Onder de Bigi Bon' event. This event is … Continue reading Documentary Film Premiere (06.12.24): The Embodied Absence of the Past
The author is ecstatic about being awarded a European Research Council Starting Grant for a 5-year research project, expressing gratitude to God and colleagues. The project, FRICTIONS, focuses on how tourism impacts slavery and colonial heritage, aiming to shift societal narratives. The author plans to recruit 3 PhD candidates and a Postdoc to join the research team. Despite the challenges during the application process, the author encourages unsuccessful applicants and acknowledges their efforts. The post also hints at upcoming vacancies and promises more details about the project. The author concludes by congratulating other grant awardees and wishing good luck to those who were not successful.
Emmanuel Akwasi Adu-Ampong 